Q & A

Throughout the past years, Cornelia has been asked countless questions by her readers. We have compiled a collection for you, that will keep growing.

If I had a time machine, where would you travel to?

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I'd go to Elizabethan England and see Shakespeare himself performing on stage, meet Heinrich Heine, Mozart and Henry Purcell, watch Rodin at work, visit the Acropolis, when it was still highly coloured, travel to a time in the future when it is possible to visit other planets.

Could you give me your thoughts about the joy of reading?

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I was raised in a little town and the world was very small. And only the books opened a thousand windows. And they whispered the promise that the world is a wild and adventurous place.

How does one go about establishing a solid voice?

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Find it. Listen to your heart, the world, everything! Be patient. Feed your writing with your time and life and all the passion you have.

How long does it take to write a book?

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It takes me about one year or longer to write a "big book" like Inkheart or Dragon Rider. But I have written books for younger children, which took me less time to write (about one or two months).

Why did you become a writer for children?

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Why I decided to write for children: Well, first of all I am an illustrator, so the first story I wrote was about all the creatures I yearned to draw. Only children’s books are illustrated nowadays (with exceptions) so there is one reason, but I think the most important one is, that I see myself as a storyteller and storytellers don’t tell their tales just for the grown ups, they tell them for everybody.

What they also know is that children still take this world and the big questions we all ask very serious — and they don’t wear a mask when they meet me- which many grown ups got used to do. ask me whether i’d prefer to be with 1000 children or 1000 grown ups in a hall and the choice would be very easy:)

So when I am asked why I write for children, I say: I do write for children, but adults are allowed to read my books as well:) There is nothing scarier than a grown up, who has forgotten about the child in him. We learn all our lives to be children, I believe.

What's your favourite place to write?

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Luckily, I can write anywhere — airports, waiting for a train, even walking my dog. I always have something to write down. Sometimes the best ideas come in the most unusual places.

What are some of your insparations to write?

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The ideas come from the inside and from the outside. I collect ideas about things I am really passionate about, characters I want to talk about and that readers would want to read about. Then I collect ideas for places in the book, I look at photos and books about different places for inspiration. Then I start collecting little things about the story and background... until I have a chest full of ideas. Then I start writing the plot of the story, based on these ideas.

Do you have other jobs besides being an author?

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Being an author means having many jobs: writing, answering emails, having meetings, recording audiobooks, travelling...

Do you have a favourite book?

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"The Once and Future King" by TH White. It is the book I would take to the island, the book I want by the side of my deathbed, the book I wish I had written.

What’s the best strategy to motivate yourself to write more often?

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I always want to write, so I don't really know how to answer that. Of course, we all know the days where we find a thousand other things to do. Just sit down in that case (it helps a lot when you write by hand instead of having to open a computer!) and write a few sentences. That usually puts the hook in. It’s of course easier when you work already on a story you love! Or on several.

Do you own a typewriter?

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No, I was never a friend of typing machines. I dreaded them. My first typing friend was a laptop called Mad Max!

What is your source of strength?

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The world with all its visible and invisible wonders, good friends, anything that creeps and flies and swims and grows, and some very good-natured gods or/and angels who will stand by you, when nothing else could help.

Is it a sign that you should move on to a different story if you are having doubts about the one you are working on now?

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No, you should get only more passionate about a story when it gets difficult. Otherwise you will always try something new when the story tries to hide from you. Understand it, tame it, know its secret, explore, find out — and charm it. A story is a living thing. And sometimes they bite us or hide!

Do you like to read Charles Dickens? Do you like the Brontes? Do you like Mark Twain?

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I LOVE to read Dickens — I think The Christmas Carol is my favourite, but Great Expectations is of course glorious too ... and all the others. I also admire Kipling, Mark Twain (heavens, I was so in love with Huckleberry Finn), not sure about the Brontes or Jane Austen. I also love Ondaatje, Toni Morrison, David Almond, poets like Ted Hughes, Pablo Neruda, Garcia Lorca.... so many voices, so much written magic!

What influenced some of the common traits in your characters?

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They mostly step into my room and are so much alive, that I ask myself where they came from. Of course, some oft them are the result of hard thinking, adding characteristics, manners, etc., but others are alive from the first moment they appear. When I wrote Inkheart, this happened with Dustfinger. He told me his name and he was so real that after a while I had the feeling that he was standing behind me whispering his story in my ear.

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