Q & A

Throughout the past years, Cornelia has been asked countless questions by her readers. We have compiled a collection for you, that will keep growing.

Do you have any writing rituals?

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Oh yes, espresso, fruit gummies and liquorice, some chocolate, a candle, and music that fits with the time the story is set in.

Where do you get the names of your characters?

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I have name dictionaries, and I scan through them until I find a good name that fits the character. I sometimes also get names from plant dictionaries and animal dictionaries.

Do you have any drawing tips you could give me?

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How you draw should be dictated by your eye, your hand and your heart (I am sure the brain is involved too:) So no one can really give you advice on it! You have to practice, a lot, copy drawings of masters in that craft, sketch from nature, your surroundings ... etc in short: keep the hand busy:)

Are there some characters you loved that didn't make the final cut?

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Yes, I did cut characters out, who wanted to take over. Others turn out to be very different from who I thought them to be and I need to change hundreds of pages to do them justice.

Do you listen to music when you write?

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Oh yes, I do. Mostly to classical music by Johann Sebastian Bach, Georg Friedrich Haendel or Henry Purcell.

What is your writing style?

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Hmmm, I have no idea. I never thought about this. I think there are as many writing styles in the world as there are authors.

What is the most important element of a story?

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Many and always different from story to story. Let the story tell you! And most of all — let the readers fall in love with your characters.

Why should people read?

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First of all- why should they eat chocolate? Because it makes incredibly happy. On a more serious note: because it builds windows and doors when the world seems narrow, because it shows us that we are not alone with what we fear and love, that someone found words for what we may not know how to express, because it shows us that the world can wear a thousand costumes, because it feeds our souls and hearts and brains, because it teaches us to create images in our minds, that are uniquely ours, because......it can make us hear the heart beat of the world.

What is your biggest fear?

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I was VERY afraid of spiders until the age of twenty, when I became the owner of a chicken stable. It was so infested with spiders of all kinds that I either had to forget about my fear or have my chicken starve. The fear disappeared like early morning mist and now I can even deal with the Black Widows in my garden.

There is no better feeling than meeting a fear and walking right through it. I am still afraid of deep water though as I am a very bad swimmer :) Otherwise I am quite fearless.

What are some of your insparations to write?

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The ideas come from the inside and from the outside. I collect ideas about things I am really passionate about, characters I want to talk about and that readers would want to read about. Then I collect ideas for places in the book, I look at photos and books about different places for inspiration. Then I start collecting little things about the story and background... until I have a chest full of ideas. Then I start writing the plot of the story, based on these ideas.

I want to know if your location influences your writing?

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Location is like an another character for me. A very important character. It gives the story it's flavour and when I research it gives me a thousand ideas. Location is the canvas the story is painted on.

What’s the most major thing to remember for writing children's/middle grade/YA books as opposed to books for adults?

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Don't think about that difference. Write the story that comes to you and write it the way it wants to be told. If you find a way to make it resonate with all ages you have fulfilled your task as a storyteller in the best possible way, but of course not every story allows that. nevertheless — never clip you imagination's wings by foreseeing what your readers want to hear. They will always surprise you (apart from the fact that children and teens are always underestimated).

Is it a sign that you should move on to a different story if you are having doubts about the one you are working on now?

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No, you should get only more passionate about a story when it gets difficult. Otherwise you will always try something new when the story tries to hide from you. Understand it, tame it, know its secret, explore, find out — and charm it. A story is a living thing. And sometimes they bite us or hide!

Do you struggle with writer's block?

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I don't think there is such thing! I came to believe that every story is a labyrinth (the better we get, the more elaborate it is) and the story will hide its heart in it as she likes to send us on a journey to find it. She teases us with wrong paths and wrong characters, she doesn’t reveal her secrets easily!

So when writers meet the so-called writer’s block—that means, in my opinion only, that the story tricked them and that they have to go back and find out where. Or cut a path through the hedge.

Whatever they do — those days are often the most insightful ones, as we do in the end understand the story better.

Do you have children?

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I have a daughter and a son. Anna works as a restorer and Ben composes and produces music and works as a DJ.

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